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Archive for February, 2012

Disappointed to have missed the sign up for Jude Hill’s Contemporary Boro class, I have decided to embark on my own.  Like any true fabric collector, I have been setting aside garments for ages — pieces that hold some sort of potential for reworking.  Sometimes, it’s the fabric I love, sometimes, the cut.  But, for whatever reason, the shirts/pants/jackets do not work as wearable items.

Number One goal – to have fun.
Number Two goal – to convert giveaways into comfortable, wearable garments (or special dressy ones, who knows?).
Number Three goal – learn stuff.
Number Four goal – to use what I find, am given, have on hand.  Minimal expenditures.
Number Five goal – share here.
Number Six goal – work up to dyeing cloth/garments this summer.

Inspiration?
Of course, Jude — check this out, and this, and this.
Of course, India Flint – check this out.  There are better garment pictures in her first book.

Following directions and working in three dimensions are challenging for me, so in tandem with deconstruction and messing around, I plan to make some clothes – start to finish – with a pattern.

For a tiny bit of background on Boro, there is a Japanese textile overview here  – Kimonoboy.  A collector shares some great pictures, here.  And, of course – if you google “boro textiles” in the images mode, you will be flooded with beauty!

And, what a discovery this morning – THIS site – ‘Denham the Jeanmaker’, whose tagline is “Worship Tradition, Destroy Convention”.  Stylish, sales-oriented, and full of cool ideas.

In any case, my first project, above, aims to be a little more pedestrian and less time-consuming than many of my inspiration sources.  I had already cut the bottom off of the waffle weave shirt, which is worn to a comfortable softness, slightly stained, and currently too-short (oops!) to wear even as a pj top.

I have pinned a tissue-thin plaid as a skirt, some double-folded silk as a mini-peplum, and attached a swatch of embroidered linen over a hole in the chest.  Of course, it would be great to dye the cotton top first, but I’m not there yet.

I am mostly piecing the ‘Middle Passage’ quilt today, which has moved from the board to the floor, and which will NOT be short-cutted by having an informing idea, apparently.  My newest strategy in that regard?  To have slightly more straightforward projects to go to when the going gets too daunting.  Last night I made one-inch, paper-pieced hexagons.  This ‘dress’ might also be something to go to.

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1. Chaine au Repos, 2. Textiles Installation @ RISD, 3. blue bottles, apothecary jar collection, 4. Begin to Construct, 5. Similis simili gaudet, 6. pussy willows in the store, 7. Isa blanco y negro, 8. Happy New Year!, 9. #22, 10. African slave ship, 11. Well Weathered Barn, 12. Rust & Crabs, 13. rust 02 detail, 14. wool 5, 15. magna1, 16. Kaleidoscope

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SoulCollage collage – not yet a card.  For that, a Staples run is necessary, and then some cutting and gluing.  But this one popped out of the pile today.  Watched the TV show “Grimm” last night, and figured this one could be called, “Grim Fairy Tale”.  This is, in part, my response to flipping through a couple of Vogue magazines (thank you unusable miles that translate into free magazines!), including the one that featured Kate Moss’s wedding.  The message seems to be that happiness is a question of purchasing and looking good in the right outfit.  The next one was worked in a series.


I have made many cards that refer to the creative process.  This is another and I call it simply, ‘The Maker’.  I shot twenty or so with various pieces moved around.  I thought about making a slide show, but ultimately, the static quality of the red dancer defeated the point.  But here are a couple of variations, the second being digitally altered.

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Late winter vine

“If we focus the fire of our imagination, our own metaphors begin to heat and transform, opening up
new energy channels in the body.  In taking the imaginative leap, we embody
the metaphor.  In becoming the metaphor, we become whole.
The wholeness may not last, but that moment rings like a tuning fork that the cells do not forget.”

Dancing in the Flames – The Dark Goddess in the Transformation of Consciousness
by Marion Woodman & Elinor Dickson

I had a tooth extracted yesterday, and find myself thinking quite a bit about roots.

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One of the best birthday gifts this year was a silk-covered, beaded box full of antique textile scraps and little, aged bags of sequins and beads (thank you, MR!!!).  I added some sparkle to the bird’s head.

Those are keepers… but I’m not sure about the sparkle, island below.  I think it interferes with the nice grid that is generated by the woven strips.

She is almost ready for binding.  This will be a quilt where I add to the edges rather than true it down.  This blue silk, while luscious, pulled apart at a pace that amazed me – shrinking an already too-small back.

Such are the challenges!

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