As I look at this composition, I begin to think about vulnerability… what is transparency, after all, if not the quality of letting oneself be known? (IRS, take note!) I have been looking at other works-in-progress back lit in this manner for many months, so it’s not clear why THIS one speaks of transparency and the others did not. Perhaps it is due to vigorous conversations (with Grace and others) about boundaries, about where to draw the line (a red line, perhaps?) to maintain the necessary sanctuary to create, care giving and its demands, and the desire to be seen.
It began with ‘Ghost House’ leftover scraps, and was a conscious attempt to marry two recently made houses – both of which left me dissatisfied (The Red House quilt and The White House quilt) [links to follow - I don't have much time this morning]. I laid the scraps on white, continuing the exploration of WHITE for my online class with Jude Hill (Spirit Cloth, side bar).
There is white on the base, too, which I might build up all around – picking up on Jude’s idea of moving from white as a ‘background’ to white as a field of interest, with texture, and something to say besides, ‘look at what is on me’. I actually seamed some white fabrics together, to use as building struts in the frame… only one made it into the house – that long vertical to the right of the blue window (and yes, I know the tower has the appearance of a goofy face, a fact I’m going to correct with another window or two).
The red thread is ‘Meditation Thread’ hand-dyed in India. I like the idea of red, with its vigor and visibility standing in as a symbol of a well-maintained boundary (Imagine that! A sanctuary bounded with quiet intent and silent, purposeful endeavor!! Not angry protestations and complaint). I wonder what each compartment holds.
I see the nine patch and wonder if I have the energy and where with all to enlarge this quilt in order to make the nine patch more than an ephemeral creation of morning sun and minton shadow. I don’t need to decide to continue.
Many more works on the table, pinned to the wall, up against the western glass doors, and laid out on the dining room table for design-viewing.
Have a great couple of days!