Category Archives: indigo

Playing Card Symmetry

At last, there’s enough quilting on this piece to consider that step done. Now — how to finish? It’s a little on the big side for me — maybe 18″ wide? Back when I composed this — two years ago — I had considered placing a reverse house below the horizon line, not unlike a playing card — one knave’s head down, the other up. Didn’t stick with that idea, but now I find myself wanting at least a moon below. I can consider the idea with the app PicFrame.

It’s more interesting with two moons, don’t you think?

PS I am under the weather with a cold or flu, so forgive my delay in getting to some of your blogs. My cheeks hurt. My eyes feel furry. My nose is stuffed. This is the first congestion I’ve experienced since I started using a Netti pot about four years ago. A pretty good run, I’d say.

The Barn

Having this quilt on my wall for a while meant a couple of poor color transitions had time to prick at me. When I decided to give the piece to my brother for Christmas, I decided to tackle those spots before shipping it off. It’s not always advisable to attempt “improvements” of this kind.

First, I added some yellow in the foreground to pull the eye foreword and interrupt the blockiness of the patchwork.Stitched a few dark patterned strips on either side to lend depth and to interrupt what had been a distracting light area to the barn’s left.

And finally, I applied more hand quilting here and there and added some red bits to adjust the perspective lines on the cupola and far right eave (not terribly successfully).

The tweaks are okay. Maybe not what I hoped for. With additions like this, you always risk of either disrupting the spontaneity of the original design or of creating new problems while fixing existing ones.

This piece ran the additional risk of spoiling the (possibly impressive) fact that it’s almost entirely pieced.

Anyway. The upshot is that my remediation, successful or not, has whet my appetite for learning. How come I never learned perspective? Really? And, maybe it’s time to learn how to manage transitions more skillfully by attending to color values.

Unmoored


Laying down a strip at the base of Moon House quilt just now, I set the structure momentarily aside. And it struck me how apt that is: known angles canting off, the roof tumbling away in willful contrary movement, the house either about to crash back to earth leaving a splintered, uninhabitable pile of refuse or to improbably float off into the ether.


I think I’ll stitch it there. As I do, it will be a chance to sit with a conundrum. For what is anchoring down with thread that which is in free fall but a conundrum? Finn returning the ball poses a glad image of being airborne. I wish you could experience his grace, his enthusiasm, his boundless joy, how effortlessly he dwells in the moment. The house tipping over vs. the dog flying back to me for another throw.

Connecting 

 It is such a pleasure to stitch these Hearts for Charleston quilt squares together! It seems that there is an organic order. I’ve moved them around a little but the actual joining has easy.  Some line up. Some overlap. Most quilters added a healthy margin around the square which, as it turns out I’m including to some extent. This means that Mo’s square, which is exactly 10″ square, needed some additional cloth. Today I stitched it to a dark blue checked cordoroy that I cut from an old shirt. It won’t show much, but the color and checks will blend well.

 Tomorrow some friends come by for a first blessing of the squares. We will probably do this again in December.  

To read more about this project,
please refer to the the sidebar category:
“Hearts for Charleston Quilt”

To investigate this style of quilting more
(most of us are students of master stitcher/storyteller Jude Hill),
please visit “Spirit Cloth

The Spiral of Work — October 2014

polebarn-indigo-ravenel-deemallonContinuing with a one-year-backward-look as a tool to propel some completion of unfinished work, here’s a shot from last fall. This time last year, I was busy integrating my experience from the Sept. ’14 Sea Island Indigo workshop. I really can’t believe that was only last year! Was it?!!
indigo-clothhoop-weaving-deemallonAnd, here is a piece that was begun in Jude‘s Considering Weave class. Not sure what I’ll do with it, or even where to find it!

Another incomplete piece:
indigo-quilt-moon-deemallonI’m happy to say that the October 2014 folder includes a few finished things as well: two dolls that I made for my sons and the “LA Circles” quilt that I finished a couple of weeks ago.
boydolls-deemallon-ragdolls The book to finish is a memoir about the descendant of slave owners in Texas — his process of investigation and atonement. It’s called “Tomlinson Hill”.  I purchased the book after hearing the author interviewed on the radio, and within a couple of weeks (during The Slave Dwelling Project’s overnight in Medford, Mass., at the Royall House and Slave Quarters), I met two or three people who were descended from slave owners and learned about the group, “Coming to the Table“.  The group is “for all who wish to acknowledge and heal wounds from racism rooted in the United States’ history of slavery.” There was a meeting nearby recently, but I don’t seem to be in a phase of life where it is easy, natural, or right (somehow) to join a group or even attend meetings. Too much else pressing, including the need for restorative solitude.
tomlinsonhill-deemallonBut I can read. The book comes at a good time — I started and then put down “Purity” — Jonathan Franzen’s new novel (I’m a fan!). I was going like gangbusters because it’s a “speedread” from the library (7 days, no renewal), until I realized that the toxic relationships described in the story were just too close to some parts of my current reality to make the read pleasurable. I like books that challenge me and make me uncomfortable (and those that don’t, btw), but this was too much. Control what you can control, right?!